tag:blogger.com,1999:blog-72080395808453952082024-03-13T18:48:46.034+01:00Soul PleasureMusic that pleases the soulAnonymoushttp://www.blogger.com/profile/09664484360943991280noreply@blogger.comBlogger111125tag:blogger.com,1999:blog-7208039580845395208.post-54037337798185923392016-06-04T22:17:00.000+02:002016-06-04T22:17:00.713+02:00Searching for Sugarman - Soundtrack<span style="font-size: large;">As the sixties came to a close in 1969 Mexican-American singer songwriter, Sixto Diaz Rodriguez was on the verge of something great. Following a brief and unsuccessful stint with local label Impact Records, the Detroit native had signed a new deal with fledgling Sussex Records and was about to release his debut record <em>Cold Fact</em>. Despite the initial promise of greatness and the quality of the record, <em>Cold Fact</em> was a commercial failure on its release in 1970. When his 1971 follow up record, <em>Coming From Reality</em> also failed to connect Rodriguez left Sussex Records and returned to family life in Detroit working in construction, teaching and even a career in local politics. It seemed as though Rodriguez and his music had disappeared in to obscurity. Thankfully this is just the first chapter in his remarkable story. A few years later and unbeknown to Rodriguez, <em>Cold Fact</em> had become a word-of-mouth, cult classic in Australia and New Zealand. The renewed profile of his music resulted in a 1979 and 1981 tour of Australia supporting Midnight Oil, Men At Work and Split Enz. But it was to be South Africa and in the homes and hearts of the anti-Apartheid liberals that Rodriguez would really strike a chord and achieve the superstar status that alluded him on home soil. Amid wild and fantastical stories of his ‘disappearance’, some even involving an alleged on-stage suicide, two South African fans set out to find out what really happened to their hero, and their investigation led them to a story more extraordinary than any of the many myths they’d heard. Their story forms the basis of <em>Searching For Sugar Man</em> and one of the greatest accompanying soundtracks of all time.</span> <br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-vYrleSUXlYU/V1M2ljDvsEI/AAAAAAAAAlk/xvN9AYwVC_QjfuaFpfZuCuNQMOMBBPerwCLcB/s1600/Art%2B-%2BFront.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://3.bp.blogspot.com/-vYrleSUXlYU/V1M2ljDvsEI/AAAAAAAAAlk/xvN9AYwVC_QjfuaFpfZuCuNQMOMBBPerwCLcB/s320/Art%2B-%2BFront.jpg" width="320" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
<iframe width="320" height="266" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/qyE9vFGKogs/0.jpg" src="https://www.youtube.com/embed/qyE9vFGKogs?feature=player_embedded" frameborder="0" allowfullscreen></iframe></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://kat.cr/searching-for-sugar-man-2013-audio-english-ost-320kbps-mp3-snehit87-t7245901.html" target="_blank"><span style="font-size: large;">Torrent link</span></a></div>
Anonymoushttp://www.blogger.com/profile/09664484360943991280noreply@blogger.com0tag:blogger.com,1999:blog-7208039580845395208.post-26855277970701618112016-06-02T22:16:00.002+02:002016-06-02T22:16:53.772+02:00Joss Stone - Water for Your Soul<span style="font-size: large;">The concept of Joss Stone's seventh studio release began to take shape following the formation of SuperHeavy, the multicultural, cross-generational group that released an awkward if free-spirited album in 2011, just before The Soul Sessions, Vol. 2 materialized. Among Stone's bandmates was Damian Marley, who implored the singer to cut a reggae album. Stone was hesitant at first but conceded, perhaps realizing that a drastic switch in her vocal approach would not be required. (She wouldn't even have to avoid using the word "soul" in the album's title.) More importantly, Marley wasn't fooling. He followed through and co-produced this with Stone. The duo devised a set of songs that often uses reggae as a foundation but incorporates a familiar mix of soul, rock, and roots music with light accents from tablas, Irish fiddles, and flamenco guitar. Even when the album deviates most from the singer's previous releases -- specifically in "Way Oh," during its chorus and forced-sounding references to a "buffalo soldier," likely a nod to Marley's father -- Water for Your Soul always sounds like Joss Stone. Her voice remains in debt to classic soul as much as ever. Additionally, she continues to switch from emotion to emotion with full-bore conviction. From one song to another, there are some extreme swings in sentiment. In "Let Me Breathe," she begs for release from a stifling relationship she cannot resist. She follows it with the exasperated "Cut the Line" -- fluid and dubwise, the album's song with the most surface appeal -- where "I can't get over how you're shutting me out" is delivered with the same amount of "help me out here" force. While one can always sense the pain and joy in the mere sound of Stone's voice, some of the songs' lines provoke head scratching rather than knowing nods. Through deep, repeated listening, the album increasingly resembles ragtag emoting. Heard passively, it's all pleasant summertime listening.</span> <br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-l4iNwxMxFSY/V1CS1GFPJxI/AAAAAAAAAlQ/NPrp6OMQtJMpcuYcryqTBzafbnUYERQfwCLcB/s1600/91dX-ctHe6L__SL1500_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://3.bp.blogspot.com/-l4iNwxMxFSY/V1CS1GFPJxI/AAAAAAAAAlQ/NPrp6OMQtJMpcuYcryqTBzafbnUYERQfwCLcB/s320/91dX-ctHe6L__SL1500_.jpg" width="320" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
<iframe width="320" height="266" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/zJPxMXw2tDM/0.jpg" src="https://www.youtube.com/embed/zJPxMXw2tDM?feature=player_embedded" frameborder="0" allowfullscreen></iframe></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://rotorrents.com/torrent/4338948/Joss+Stone+-+Water+for+Your+Soul+(Deluxe+Edition)+%5BChattChitto+RG%5D.html" target="_blank"><span style="font-size: large;">Torrent link</span></a></div>
Anonymoushttp://www.blogger.com/profile/09664484360943991280noreply@blogger.com0tag:blogger.com,1999:blog-7208039580845395208.post-5302705313072579372016-05-29T19:35:00.000+02:002016-05-29T19:35:04.091+02:00Josh Rouse - 1972 (2003)<span style="font-size: large;">Rouse starts off in his lowest key with the title track. Most akin to his early, late-90s material, the song tosses off a dreamy narrative of utopian imperfection about life in its titular year: marooned, unemployed, getting high, and shooting pool. Comfortably sprinkled with subtle percussion and light strings, it's the most acoustic-based track on the record-- and though it might be aimed at a generation three or four removed from his own, it speaks in timeless divulgence.</span><br />
<br />
<span style="font-size: large;">The rest of the album is more exploratory, but also more compartmentalized within each of its sonic domains. The single, "Love Vibration", bounces a nostalgic eight-track beat with some synth work and light horn arrangements before giving way to a sax solo (!). Which speaks to one of the record's best traits; In each song, 70s-tinged red flags (flute solos, vibraphones, background singers, disco string loops, etc) find a place to settle in, but Rouse minimizes any potential damage by using them sparingly, squeezing highly effective hints of earnestness and atmosphere from them before sending them hurtling back into whatever vintage hellhole spat them out.</span><br />
<br />
<span style="font-size: large;">"Slaveship" might be vintage Jackson Browne on his birthday, with sparkling piano and handclaps; the shoreline tango "Flight Attendant" fits somewhere between <i>Summerteeth</i>'s "How to Fight Loneliness" and something from former Rouse collaborators Lambchop; and "Sparrows Over Birmingham" employs a gospel choir to fill out its period soft soul swing. "James", meanwhile, is a veritable lost 70s soft-rock relic, and one of the only tracks to showcase Rouse's mercurial falsetto. Although not utilized to its fullest here, his voice transforms to fill the needs of the song, showing that, while sometimes the least compelling aspect of his songs, it can be made the centerpiece when necessary.</span><br />
<span style="font-size: large;"></span><br />
<span style="font-size: large;"> Lyrically, Rouse takes it easy throughout the album, finding fortune mostly in his simple reel-to-reel personal sketches, though he does occasionally cause facial contortions when traversing groovier territory and crooning gory, anachronistic lyrics like, "I wanna be your baby daddy." He ends the album on a fine note, though, with the symphonic "Rise", calling to mind early Damien Jurado (if he could sing) and some of the Pernice Brothers' more lightly conceptualized moments. </span><br />
<span style="font-size: large;"></span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-195GxVx5eFU/V0snacQCTaI/AAAAAAAAAlA/d_s9UkEQQeEEmZ36nf60xGMevkPFUp_FgCLcB/s1600/homepage_large_f3e4ea63.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://1.bp.blogspot.com/-195GxVx5eFU/V0snacQCTaI/AAAAAAAAAlA/d_s9UkEQQeEEmZ36nf60xGMevkPFUp_FgCLcB/s1600/homepage_large_f3e4ea63.jpg" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
<iframe width="320" height="266" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/JwEz8TuIO38/0.jpg" src="https://www.youtube.com/embed/JwEz8TuIO38?feature=player_embedded" frameborder="0" allowfullscreen></iframe></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
<iframe width="320" height="266" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/STPN07RFmRc/0.jpg" src="https://www.youtube.com/embed/STPN07RFmRc?feature=player_embedded" frameborder="0" allowfullscreen></iframe></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://kat.cr/josh-rouse-1972-t1505822.html" target="_blank"><span style="font-size: large;">Torrent link</span></a></div>
Anonymoushttp://www.blogger.com/profile/09664484360943991280noreply@blogger.com0tag:blogger.com,1999:blog-7208039580845395208.post-87011501269556257992016-05-29T19:21:00.000+02:002016-05-29T19:21:12.087+02:00theAngelcy - Exit Inside (2015)<div class="separator" style="clear: both; text-align: left;">
<span style="font-size: large;">Folk band from Israel.</span></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-aEthXtXUh_E/V0skOv1pswI/AAAAAAAAAk0/DW783MoRcfgyQAyoGoMDkNvTsMUpJzpbACLcB/s1600/cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://2.bp.blogspot.com/-aEthXtXUh_E/V0skOv1pswI/AAAAAAAAAk0/DW783MoRcfgyQAyoGoMDkNvTsMUpJzpbACLcB/s320/cover.jpg" width="320" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
<iframe width="320" height="266" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/YMdhrlzRNBo/0.jpg" src="https://www.youtube.com/embed/YMdhrlzRNBo?feature=player_embedded" frameborder="0" allowfullscreen></iframe></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
<iframe width="320" height="266" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/Yuwb-9L1RD8/0.jpg" src="https://www.youtube.com/embed/Yuwb-9L1RD8?feature=player_embedded" frameborder="0" allowfullscreen></iframe></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://2ddl.ag/theangelcy-exit-inside-2015-320-kbps/" target="_blank"><span style="font-size: large;">Torrent link</span></a></div>
<br />Anonymoushttp://www.blogger.com/profile/09664484360943991280noreply@blogger.com0tag:blogger.com,1999:blog-7208039580845395208.post-65676418798013152352016-05-29T19:03:00.001+02:002016-06-02T22:44:49.773+02:00Mumford & Sons - Babel (2012)<span style="font-size: large;">It's hard to imagine a more preposterous road to platinum success than the one Mumford & Sons traveled. <em>Sigh No More</em>, the 2010 debut by Marcus Mumford and his London crew, is a set of rousing tunes clad in choirboy harmonies, clawhammer banjo and Salvation Army brass that exploded amid a sea of AutoTuned cyber-pop. Soon, the band was backing Dylan on the Grammys, recording Kinks classics with Ray Davies and uncannily recalling the days when string bands like the Carter Family and the Louvin Brothers were radio gold.</span><br />
<br />
<span style="font-size: large;"><em>Babel</em> steps up Mumford & Sons' game without changing it too much. It feels shinier, punchier, more arena-scale than the debut, with the band hollering, hooting, plucking and strumming like Olympian street buskers. The songs lean toward the hooky folkfest stomps of tunes such as "Little Lion Man" and "The Cave," whose beer-slosh melody and fist-pump dynamics branded <em>Sigh No More</em>. See <em>Babel</em>'s hymnlike first single, "I Will Wait," and "Lover of the Light" – both are proof that the Mumfords do dramatic builds, dropouts and soft-loud shifts as impressively as U2 or Skrillex. The fact that these guys are able to do big rock catharsis with humble tools is part of the thrill. </span><br />
<span style="font-size: large;">But it's the band's lyrics, and Mumford's delivery, that define the album's sound. <em>Babel</em> is full of all manner of religious shoptalk, with Biblical metaphors swirling like detritus in a Christopher Nolan film. Jesus is invoked above Edge-style guitar on "Below My Feet." On "Whispers in the Dark," Mumford declares an intention "to serve the Lord" over a Riverdance bounce. Compared to unfreaky-folk-revival peers like the Avett Brothers or the Low Anthem, Mumford & Sons really double down on the ol' time religion.</span><br />
<br />
<span style="font-size: large;">Mumford grew up around evangelicals - his parents are English figureheads of The Vineyard, a California-born Christian movement that's so pop-savvy, they run a couple of record labels. (Bob Dylan was a member of the fellowship during his Christian phase in the Seventies.) But proselytizing is not the mission on <em>Babel</em>. Where Rick Ross slings church flavor to add levity to street tales, Mumford uses it to supersize and complicate love songs. "Lovers' Eyes" is merely the best of several songs that wrestle with betrayer's guilt. On "Broken Crown" he seems both sinner and sinned against. "The pull on my flesh was just too strong," he cries with moving hair-shirt candor. Disgraced politicians could learn something from this dude.</span><br />
<br />
<span style="font-size: large;">Colored with brass, group vocals and Ben Lovett's understated piano, "Lovers' Eyes" and "Broken Crown" (which, like "Little Lion Man," makes showstopping use of the word "fucked") show the subtler and more British folk elements that marked the group's debut. Those flavors get toned down on this record, which is too bad. But the power of the arrangements and Marcus Mumford's tortured-vicar vocals is undeniable. And if his conflation of love, lust and Christian spirituality sounds more like pre-dawn confusion than neat Bible lessons, it feels all the truer for it. His parents should be proud</span>.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-0OFm5gQyGfg/V0sfpJtHj5I/AAAAAAAAAko/-dBnzPvLjrIbtpy-ixAy_i_U4nNQu5ZfwCLcB/s1600/Front.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://2.bp.blogspot.com/-0OFm5gQyGfg/V0sfpJtHj5I/AAAAAAAAAko/-dBnzPvLjrIbtpy-ixAy_i_U4nNQu5ZfwCLcB/s320/Front.jpeg" width="320" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen="" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/rGKfrgqWcv0/0.jpg" frameborder="0" height="266" src="https://www.youtube.com/embed/rGKfrgqWcv0?feature=player_embedded" width="320"></iframe></div>
<br />
<div align="center">
<div class="separator" style="clear: both; text-align: center;">
<iframe width="320" height="266" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/GS0218g_7FA/0.jpg" src="https://www.youtube.com/embed/GS0218g_7FA?feature=player_embedded" frameborder="0" allowfullscreen></iframe></div>
</div>
<div align="center">
<a href="https://kat.cr/mumford-and-sons-babel-gentlemen-of-the-road-edition-2012-alternative-2cd-320kbps-cbr-mp3-vx-p2pdl-t7491224.html" target="_blank"><span style="font-size: large;">Torrent link</span></a></div>
<br />Anonymoushttp://www.blogger.com/profile/09664484360943991280noreply@blogger.com0tag:blogger.com,1999:blog-7208039580845395208.post-54222058565998009402016-05-29T18:04:00.000+02:002016-05-29T18:04:49.632+02:00Xavier Rudd & The United Nations - Nanna<span style="font-size: large;">Flanked by new band the United Nations – comprised of musicians from Australia, Africa, Samoa, Germany and New Guinea – Xavier Rudd serves up what he has dubbed his "dream project". A thick reggae influence dominates Nanna – "Flag" is pure Marley – but Rudd adds his twists and his band weave in their individual world music flavours: the swirling Andean atmosphere of the title track and the modern indigenous feel of "Rainbow Serpent' in particular add a nice contrast to the LP's dominant sound. For the most part, Nanna is a beautiful celebration of global sound, the only flaw being that Rudd's own unique voice gets a little lost in all that egalitarianism. </span><br />
<span style="font-size: large;"></span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-mSSuyk7gtuM/V0sSREIeXZI/AAAAAAAAAkY/eAHaFIc_Tr4_w30vwkJolsmxLvuNewf2QCLcB/s1600/cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://1.bp.blogspot.com/-mSSuyk7gtuM/V0sSREIeXZI/AAAAAAAAAkY/eAHaFIc_Tr4_w30vwkJolsmxLvuNewf2QCLcB/s320/cover.jpg" width="320" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
<iframe width="320" height="266" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/CnNfwKnAzF0/0.jpg" src="https://www.youtube.com/embed/CnNfwKnAzF0?feature=player_embedded" frameborder="0" allowfullscreen></iframe></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://kat.cr/xavier-rudd-the-united-nations-nanna-2015-flac-t11797701.html" target="_blank"><span style="font-size: large;">Torrent link</span></a></div>
Anonymoushttp://www.blogger.com/profile/09664484360943991280noreply@blogger.com0tag:blogger.com,1999:blog-7208039580845395208.post-76781715349124955282016-05-29T17:25:00.000+02:002016-06-02T22:48:59.662+02:00Fat Freddy's Drop - Bays (2015)<span style="font-size: large;">If you’re already quite familiar with FFD’s genre-splicing and casual beat-dropping, then you’ll likely find a lot to love in <em>Bays</em>. Staying mostly true to that dub/reggae ethos, the New Zealanders have managed to suppress any urges to branch out with phoned-in collaborations with guest vocalists (although <em>Food</em>-era Kelis would certainly fit the bill) or mess around too much with the agreed formula. Beginning with ‘Wairunga Blues’, a swinging opener that does enough to pique your interest through its slow-burning and alluring groove, it’s not until the following track ‘Slings and Arrows’ that the album really bursts into life: a quickfire drum fill gives way to an uplifting horn section that’ll no doubt whip audiences worldwide into a mass skank-off.</span><br />
<span style="font-size: large;"></span><br />
<span style="font-size: large;">The techno style of ‘Razor’ is probably the biggest change of pace on the record in terms of the band’s sound – presenting the listener with an unrelenting and rather intimidating beat that insists and insists throughout its eight-minute duration, it’s the mark of producer John Faiumu daring to push the band’s sound to unfamiliar territories. And, as such, it’s a little discomforting – following track ‘Makkan’s chilled, shuffling style is a welcome antidote to the strange and unusual trip that the previous song takes you on; a sensation that’s returned to when the similarly techno-focused ‘Cortina Motors’ kicks into life towards the end of the album.</span><br />
<span style="font-size: large;"></span><br />
<span style="font-size: large;">The centrepiece of this intriguing record, however, is ‘Fish in the Sea’. The second longest track here, Joe Dukie’s Dr. Seuss-leaning lyrics about life’s struggles (“<em>my wife needs a wish from the magic fish</em>”) are enough of a draw to permit his band’s instrumentation to gradually build unnoticed around it, and, whilst it doesn’t explode into any kind of epic crescendo, it’s still the most delightful, smile-inducing moment on the record. You get the feeling that, when performed live, this and many of the songs on <em>Bays</em> could go anywhere – they all serve as a blueprint for the live arena, where FFD really do excel in letting their songs come into their own</span>. <br />
<br />
By Sam Moore<br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-TonL9Hi1joU/V0sIkpH0cRI/AAAAAAAAAkI/cgGBKhyvIoMTAetrteEhqF7Xvepot8u0QCLcB/s1600/Cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://2.bp.blogspot.com/-TonL9Hi1joU/V0sIkpH0cRI/AAAAAAAAAkI/cgGBKhyvIoMTAetrteEhqF7Xvepot8u0QCLcB/s320/Cover.jpg" width="320" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
<iframe width="320" height="266" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/tTHxh-EMr-o/0.jpg" src="https://www.youtube.com/embed/tTHxh-EMr-o?feature=player_embedded" frameborder="0" allowfullscreen></iframe></div>
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen="" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/G2mhr6s2Tv8/0.jpg" frameborder="0" height="266" src="https://www.youtube.com/embed/G2mhr6s2Tv8?feature=player_embedded" width="320"></iframe></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://kat.cr/fat-freddy-s-drop-bays-2015-320kps-t11992360.html" target="_blank"><span style="font-size: large;">Torrent link</span></a></div>
Anonymoushttp://www.blogger.com/profile/09664484360943991280noreply@blogger.com0tag:blogger.com,1999:blog-7208039580845395208.post-91024744236266303962014-01-23T11:31:00.000+01:002014-01-23T11:31:30.820+01:00Marcelinho da Lua - Social<span style="font-size: large;">Marcelinho da Lua is a Brazilian reggae/samba/dub/electronic music producer, singer and DJ. Released in 2007, Social brings together a great mix of funk, samba, reggae and dub along with electronic beats.</span><br />
<span style="font-size: large;">The album also features special guests such as B-Negao and Tonho Crocco.</span><br />
<span style="font-size: large;">Check it!</span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-YDEujNx1Gqw/UuDuWCkr_YI/AAAAAAAAAiE/4aby8gnt-ZY/s1600/untitledff.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-YDEujNx1Gqw/UuDuWCkr_YI/AAAAAAAAAiE/4aby8gnt-ZY/s1600/untitledff.png" /></a></div>
<br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/4Cg3xlCC9pw?feature=player_embedded' frameborder='0'></iframe></div>
<br />
<br />
<div style="text-align: center;">
<a href="http://torrents.thepiratebay.se/4862616/Marcelinho_da_Lua_-_Social_[2007].4862616.TPB.torrent" target="_blank"><span style="font-size: large;">Torrent here</span></a></div>
Anonymoushttp://www.blogger.com/profile/09664484360943991280noreply@blogger.com0tag:blogger.com,1999:blog-7208039580845395208.post-37344076782632318912014-01-23T11:01:00.001+01:002014-01-23T11:04:30.543+01:00Sharon Jones and The Dap Kings - Give The People What They Want<span style="font-size: large;">Originally scheduled to drop last August, the album was instead put on the shelf and the Brooklyn-based band's punishing touring schedule put on hiatus as Jones battled cancer. For a while, the music stopped, but with Jones's successful treatment and a return to the stage confirmed next month in New York, the new album is just the sort of triumphant return the doctor ordered.</span><br />
<span style="font-size: large;">The 11-piece Dap-Kings, ably anchored by bassist, bandleader and Daptone Records chief Bosco Mann, again showcase their brand of unbridled soul and funk that has spearheaded the revival of the 1960s and 70s genre, and which has seen them and Jones perform everywhere from the Sydney Opera House to Italy's Umbria Jazz Festival.</span><br />
<span style="font-size: large;">It's also a sound that has transcended the fringes thanks to some high-profile collaborations. Fans will know the Dap-Kings had a heavy hand in Amy Winehouse's critically acclaimed Back to Black album of 2006, including credits on hit singles Rehab and You Know I'm No Good. Other collaborations with Michael Buble and Mark Ronson, meanwhile, have put the respective talents of guitarists Binky Griptite and Tommy "TNT" Brenneck, trumpeter David Guy, and tenor and baritone saxophonists Neal Sugarman and Ian Hendrickson-Smith firmly in the spotlight. Jones, however, remains the seductive and supremely talented frontwoman, oozing soul whether she's sticking her middle finger up at a love spurned on You'll Be Lonely, or relaying tales of hope as she does on the laidback and feelgood We Get Along.</span><br />
<span style="font-size: large;">There's an impressive diversity in tempo, too. While first single, Retreat!, is an up-tempo stomper and a thundering start to the album, it's a world away from the mellow Making Up and Breaking Up (And Making Up and Breaking Up Over Again), which lets the by now ubiquitous horns really shine. Stranger to My Happiness, meanwhile, is a playful number that sees Jones sing over a low-flung sax lick and chanting backing vocals that add a sharpness to her melodic command.</span><br />
<span style="font-size: large;">If there's anything to lament with Give the People What They Want, it's the album's length. Clocking in at about 34 minutes, the adventure is over all too soon. Given the challenges surrounding the album's release, though, it's a small and insignificant gripe.</span><br />
<span style="font-size: large;">The musician-owned and analog-proud Daptone Records continues to demonstrate that some of the best sounding soul and funk music doesn't require the latest digital equipment, and with labelmates such as Jones and the Dap-Kings on hand and now healthy, the future looks bright.</span><br />
<span style="font-size: large;"></span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-DpD76LJSPbY/UuDoZl0O_nI/AAAAAAAAAh0/HyezQuQjdT0/s1600/untitled.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-DpD76LJSPbY/UuDoZl0O_nI/AAAAAAAAAh0/HyezQuQjdT0/s1600/untitled.png" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/PrOYkHjdpdM?feature=player_embedded' frameborder='0'></iframe></div>
<br />
<div align="center">
<a href="http://rapidgator.net/file/880ae67364c7020ca14eac2998920703/www.NewAlbumReleases.net_Sharon_Jones_and_The_Dap-Kings_-_Give_the_People_What_They_Want_2014.rar.html" target="_blank"><span style="font-size: large;">Link here</span></a></div>
Anonymoushttp://www.blogger.com/profile/09664484360943991280noreply@blogger.com0tag:blogger.com,1999:blog-7208039580845395208.post-27238776429044374092013-10-13T14:15:00.002+02:002016-06-02T22:33:51.887+02:00RJD2 - More Is Than Isn't<span style="font-size: large;"><em>More Is Than</em> <em>Isn’t</em>, the fifth proper full-length from Philly beatsmith </span><span style="font-size: large;">RJD2</span><span style="font-size: large;">, opens and closes with the echoes of distant bird chips. A consummate crate-digger and sample hunter, RJ lines the path in between nu-disco, dusty soul, rock ‘n’ roll, spiraling organ runs, and brash hip-hop. As the title suggests, its 16 tracks are a cacophony of aesthetics pulled from the producer’s myriad inspirations. However, unlike other mad scientists, RJD2′s creations are beautiful offshoots of their distorted components rather than monster mashes.</span><br />
<span style="font-size: large;"></span><br />
<span style="font-size: large;">Anchored by three tracks (“Suite 1″, “Suite 2″, and “Suite 3″), the album’s beats are granted ample room to roam before being reeled back into that celestial calm. During each movement, the creation and subsequent destruction of melodies builds tension across the broader piece. On the first half of the album, the soulful “Temperamental” and disco-leaning “Behold, Numbers!” establish the chillout tempos that the 8-bit electronics, heady Middle Eastern vibes, and rock riffs of “Her Majesty’s Socialist Request” are intent on eviscerating. The latter half’s Motown-indebted “See You Leave” (feat. STS and Khari Mateen), “Got There, Sugar”, and electro-pop current of “Love and Go” (feat. Aaron Livingston) serve similar roles.</span><br />
<span style="font-size: large;"></span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-4t3-4YN_4iA/UlqNZhqZeMI/AAAAAAAAAhQ/glNkoW8RXpg/s1600/RJD2-More-Is-Than-Isnt.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://1.bp.blogspot.com/-4t3-4YN_4iA/UlqNZhqZeMI/AAAAAAAAAhQ/glNkoW8RXpg/s320/RJD2-More-Is-Than-Isnt.jpg" width="320" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<iframe width="320" height="266" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/DGyEF0uCnwA/0.jpg" src="https://www.youtube.com/embed/DGyEF0uCnwA?feature=player_embedded" frameborder="0" allowfullscreen></iframe></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://kickass.to/rjd2-more-is-than-isnt-2013-320kbps-cbr-mp3-vx-p2pdl-t8006625.html" target="_blank"><span style="font-size: large;">Torrent here</span></a></div>
Anonymoushttp://www.blogger.com/profile/09664484360943991280noreply@blogger.com0tag:blogger.com,1999:blog-7208039580845395208.post-58976064589056623192013-09-08T17:40:00.000+02:002016-05-29T18:12:36.146+02:00The Cat Empire - Steal The Light<span style="font-size: large;">This is the sixth studio album from Melbourne's-own Cat Empire, and the first as an independent release. Almost ten years on from the debut which featured the massive hits <em>Hello </em>and <em>Days Like These</em>, the band have had a huge amount of success at home, in Europe and across the globe.</span><br />
<span style="font-size: large;"> </span><br />
<span style="font-size: large;"><em>Steal The Light</em> is a pretty enjoyable record, led by excellent opening track and lead single <em>Brighter Than Gold, </em>which makes me feel like I'm in a Guy Ritchie film. However, at times there's a little too much mucking around, with tracks like <em>Sleep Won't Sleep </em>sometimes feeling like they're an excuse for band members to explore their favourite pre-recorded keyboard sound effects.</span><br />
<span style="font-size: large;"> </span><br />
<span style="font-size: large;">Overall the album feels a bit less pop and a bit more exploratory than their other work in recent times. Many tracks including <em>Wild Animals </em>and <em>Prophets In The Sky</em> have had their live debut and received rave responses from fans, and although brilliant live bands like The Cat Empire can sometimes fail to translate to recording with the same energy as they have on stage, both tracks are still highlights here. </span><br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://2.bp.blogspot.com/-exsjvWkTD_o/UiyZJQyJqUI/AAAAAAAAAhA/b4cYYgO2Afg/s1600/Steal,P20the,P20Light_jpg_pagespeed_ce_rfyl0jCtd7.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://2.bp.blogspot.com/-exsjvWkTD_o/UiyZJQyJqUI/AAAAAAAAAhA/b4cYYgO2Afg/s320/Steal,P20the,P20Light_jpg_pagespeed_ce_rfyl0jCtd7.jpg" width="320" /></a></div>
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<object class="BLOGGER-youtube-video" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" data-thumbnail-src="http://img.youtube.com/vi/QM_rIaUm7ac/0.jpg" height="266" width="320"><param name="movie" value="http://youtube.googleapis.com/v/QM_rIaUm7ac&source=uds" /><param name="bgcolor" value="#FFFFFF" /><param name="allowFullScreen" value="true" /><embed width="320" height="266" src="http://youtube.googleapis.com/v/QM_rIaUm7ac&source=uds" type="application/x-shockwave-flash" allowfullscreen="true"></embed></object></div>
<div class="separator" style="clear: both; text-align: center;">
<iframe width="320" height="266" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/jluQyS4lFpY/0.jpg" src="https://www.youtube.com/embed/jluQyS4lFpY?feature=player_embedded" frameborder="0" allowfullscreen></iframe></div>
<br />
<br />
<div style="text-align: center;">
<a href="http://kickass.to/the-cat-empire-steal-the-light-2013-alternative-320kbps-cbr-mp3-vx-p2pdl-t7445079.html" target="_blank"><span style="font-size: large;">Torrent Here</span></a></div>
Anonymoushttp://www.blogger.com/profile/09664484360943991280noreply@blogger.com0tag:blogger.com,1999:blog-7208039580845395208.post-59537845079544553562013-07-06T16:03:00.000+02:002013-10-13T14:19:31.046+02:00Fat Freddy's Drop - Blackbird (2013)<span style="font-size: large;">Let's start from just over halfway through the third album by Fat Freddy's Drop. It's the point where it goes beautifully bonkers, and showcases the band as not only the kings of laid-back and lilting epics but brain-rattling beat and soul mantras.</span><br />
<span style="font-size: large;">The first half of <i>Blackbird</i> is just what you expect to hear from Fat Freddy's. But then <i>Soldier</i> starts, soothingly at first, before the pressure drops, an eerie sonar sound takes hold and it plumbs the sonic depths, all with a nod to dub great Augustus Pablo. And from <i>Soldier</i> it ramps up into the pinging future funk of <i>Never Moving</i>, then <i>Mother Mother</i> moves from Caribbean trance done Aotearoa-style with big booming stabs of brass to stealth techno soul, and instrumental finale <i>Bohannon</i> grooves, grinds and bops away, taking you on one last enchanting trip.</span><br />
<span style="font-size: large;"></span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-QiKObEDDN74/Udgi_uxW7cI/AAAAAAAAAgw/P7PlLHsHHtA/s1600/ffd.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://4.bp.blogspot.com/-QiKObEDDN74/Udgi_uxW7cI/AAAAAAAAAgw/P7PlLHsHHtA/s320/ffd.jpg" width="320" /></a></div>
<div style="text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/T2INd9Cjf1U?feature=player_embedded' frameborder='0'></iframe></div>
<div style="text-align: center;">
</div>
<div style="text-align: center;">
<a href="http://kickass.to/fat-freddy-s-drop-blackbird-2013-flac-t7544510.html" target="_blank"><span style="font-size: large;">Torrent here</span></a></div>
Anonymoushttp://www.blogger.com/profile/09664484360943991280noreply@blogger.com0tag:blogger.com,1999:blog-7208039580845395208.post-70997347887536259032013-05-19T19:08:00.000+02:002013-05-19T19:08:24.987+02:00Alice Russell - To Dust<span style="font-size: large;">With due respect to fans of </span><span style="font-size: large;">Amy Winehouse</span><span style="font-size: large;"> and </span><span style="font-size: large;">Adele</span><span style="font-size: large;">, songstress </span><span style="font-size: large;">Alice Russell</span><span style="font-size: large;"> is the true blue-eyed soul queen from across the pond. The Essex singer has been around longer than either. Despite four previous albums, she's better known as a collaborator. Her résumé includes work with </span><span style="font-size: large;">Mr. Scruff</span><span style="font-size: large;">, </span><span style="font-size: large;">DJ Yoda</span><span style="font-size: large;">, </span><span style="font-size: large;">Nostalgia '77</span><span style="font-size: large;">, </span><span style="font-size: large;">David Byrne</span><span style="font-size: large;">, </span><span style="font-size: large;">Fat Freddy's Drop</span><span style="font-size: large;">, and most notably with </span><span style="font-size: large;">Quantic</span><span style="font-size: large;">. She possesses the firepower and range of </span><span style="font-size: large;">Aretha Franklin</span><span style="font-size: large;"> and the intensity of </span><span style="font-size: large;">Nina Simone</span><span style="font-size: large;">. </span><span style="font-size: large;">Russell</span><span style="font-size: large;"> is not a retro-soul singer. She's a soul singer. Period. She has always been more contemporary than nostalgic, her music imbued with more hip-hop, hard funk, dance music, and even jazz rhythms than Motown worship, but it's still rooted in deep soul and R&B. </span><span style="font-size: large;">To Dust</span><span style="font-size: large;">, her fifth album produced by longstanding guitarist </span><span style="font-size: large;">TM Juke</span><span style="font-size: large;"> (</span><span style="font-size: large;">Alex Cowan</span><span style="font-size: large;">), is easily her most consistent offering. While there's a more organic, basic approach at work here, </span><span style="font-size: large;">Russell</span><span style="font-size: large;"> refuses to leave her modernism behind. The brief, fingerpopping opener "A-Z" contains an infectious organ and guitar vamp-note to </span><span style="font-size: large;">RZA</span><span style="font-size: large;">: sample this. They set up behind a bright, breaking snare, and though it's merely a fun, simple, alphabet recitation that recalls Stax, she and her backing vocalists deliver it like a rave-up. First single "Heartbreaker" -- sequenced after "Heartbreaker, Pt. 2" -- welds rock, soul, and pop together in a <em>tight</em>, unforgettable, hooky melody. </span><span style="font-size: large;">Russell</span><span style="font-size: large;">'s voice is out front, pushing the busted love lyric from the darkness into the light, hitting hard via pure vintage <em>gospel</em>. The song's emotion is messy, raw, unbridled; yet in the grain of her voice it is delivered with an immediacy and honesty that demand empathy from the listener. Speaking of gospel, it is a motivating force here, such as in the stirring ballad "I Loved You," the punchy "Heartbreaker, Pt. 2," and the crisp, moody "Citizens," which builds to shattering conclusion. </span><span style="font-size: large;">Russell</span><span style="font-size: large;"> is a restless artist. Her sense of adventure is indulged in the slippery pop of "Hard and Strong," the funky, keyboard and upright bass swing in "For a While," the synth- and snare-fueled futurism of the title cut, and the anthemic closer, "Different." In </span><span style="font-size: large;">Russell</span><span style="font-size: large;">'s world, music is as important as lyric and vocal delivery. This band, time and again, provides a swaggering, unshakeable foundation that gives her and her backing chorus everything they need -- and more -- to lift off. No matter what she's singing, </span><span style="font-size: large;">Russell</span><span style="font-size: large;"> is invested. Emotion, whether happy, sad, devastated, angry, or ecstatic, is revealed not with mere vocal histrionics, but with </span><span style="font-size: large;">Russell</span><span style="font-size: large;"> trusting her the song to guide her voice, telling her what it needs to resonate organically. </span><span style="font-size: large;">To Dust</span><span style="font-size: large;"> is body music for the spirit, a celebration of all that is human. It is the record that should finally put her over to a mass audience. God knows she deserves it.</span> <br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-cx2Gn6FCxfE/UZkGiRUN3mI/AAAAAAAAAgY/BhF17OoAiGo/s1600/images.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://3.bp.blogspot.com/-cx2Gn6FCxfE/UZkGiRUN3mI/AAAAAAAAAgY/BhF17OoAiGo/s1600/images.jpg" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/DtcQHtgfXKg?feature=player_embedded' frameborder='0'></iframe></div>
<br />
<br />
<br />
<div style="text-align: center;">
<a href="http://kat.ph/alice-russell-to-dust-2013-soul-320kbps-cbr-mp3-vx-p2pdl-t7139831.html" target="_blank"><span style="font-size: large;">Torrent here</span></a></div>
Anonymoushttp://www.blogger.com/profile/09664484360943991280noreply@blogger.com0tag:blogger.com,1999:blog-7208039580845395208.post-14200023092068272532013-03-16T16:11:00.002+01:002013-03-16T16:11:42.551+01:00Dumpstaphunk - Everybody Want Sum<span style="font-size: large;">During the past seven years, New Orleans-based funk outfit <strong>Dumpstaphunk</strong> has progressed from a fun live act to perhaps Big Easy’s most promising ambassador. All that time together gave the <strong>Ivan Neville</strong> -fronted group plenty of road-tested material to choose from for its first full-length studio album, <em>Everybody Wants Sum</em>. The band succeeds in creating an intriguing mix of styles and tempos throughout. An ode to New Orleans’ cuisine, “Greasy Groceries,” the lyrically deep “Outta Know Better” and the dirty funk of “Do Ya” anchor the 12-track release, yet it is the deep, in-the-pocket instrumental “Paper Chasing Britney” that truly shows off the swagger of the band’s years of steady gigging. <em>Everybody Wants Sum</em> proves that Dumpstaphunk is just as capable of throwing it down in the studio as it is on stage.</span><br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-AouxkP7SI2U/UUSJwJsRaSI/AAAAAAAAAfw/KNGBmNQbbsQ/s1600/Dumpstaphunk-Everybody-Want-Sum.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://1.bp.blogspot.com/-AouxkP7SI2U/UUSJwJsRaSI/AAAAAAAAAfw/KNGBmNQbbsQ/s320/Dumpstaphunk-Everybody-Want-Sum.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/CHnT7MVi5Yo?feature=player_embedded' frameborder='0'></iframe></div>
<div style="text-align: center;">
</div>
<div style="text-align: center;">
<a href="http://uploading.com/files/eam6e88b/Dumpstaphunk" target="_blank"><span style="font-size: large;">link here</span></a></div>
Anonymoushttp://www.blogger.com/profile/09664484360943991280noreply@blogger.com0tag:blogger.com,1999:blog-7208039580845395208.post-76856475141680121442013-03-16T15:45:00.001+01:002013-03-16T15:45:53.596+01:00Trombone Shorty - For True<span style="font-size: large;">Troy 'Trombone Shorty' Andrews' is a rare artist who can draw both the
unqualified respect of jazz legends and deliver a high-energy rock show capable
of mesmerizing international rock stars and audiences alike. With such an
unprecedented mix of rock, funk, jazz, hip-hop and soul, he had to create his
own name to describe his signature sound: Supafunkrock! Andrews is the kind of
player who comes along maybe once in a generation.</span><br />
<span style="font-size: large;">Equally adept on trombone and trumpet, Andrews plays a variety of other
instruments as well. He’s applied the same skill sets and fierce discipline to
his vocal instrument, to soulful effect, as the album demonstrates. Surrounding
Andrews is his band, Orleans Avenue—Mike Ballard on bass, Pete Murano on guitar,
Joey Peebles on drums, Dwayne Williams on percussion and Dan Oestreicher on
baritone sax—virtuosos every one.</span><br />
<span style="font-size: large;">Produced by Galactic's Ben ElIman, For True, features Andrews' band, Orleans
Avenue, as well as a string of legendary performers with whom he recently shared
the stage, including Jeff Beck, Kid Rock, Lenny Kravitz, Ledisi, Warren Haynes,
Ivan and Cyril Neville, The Rebirth Brass Band and more. Troy wrote or co-wrote
all 14 tracks on the new album including co-writes with Ledisi, Kid Rock, the
legendary Lamont Dozier and others.</span><br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-cCBTGkDViiM/UUSE-S5nSPI/AAAAAAAAAfo/_bUiVoZKlHo/s1600/imagesCAQPA6DZ.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-cCBTGkDViiM/UUSE-S5nSPI/AAAAAAAAAfo/_bUiVoZKlHo/s1600/imagesCAQPA6DZ.jpg" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/KBgMGuEf87Y?feature=player_embedded' frameborder='0'></iframe></div>
<div style="text-align: center;">
</div>
<div style="text-align: center;">
<a href="http://uploaded.net/file/di9qupwc/trombone_shorty_-_for_true_2011_320kbps_muzyka.rar" target="_blank"><span style="font-size: large;">link here</span></a></div>
Anonymoushttp://www.blogger.com/profile/09664484360943991280noreply@blogger.com0tag:blogger.com,1999:blog-7208039580845395208.post-37656573148760388782013-03-16T15:23:00.002+01:002013-03-16T15:23:45.615+01:00Citizen Cope - The Clarence Greenwood Recordings<span style="font-size: large;">Anyone whose CD collection is expansive enough to contain both Mos Def and Jack
Johnson will easily find room somewhere between for the sophomore album from
Clarence Greenwood, aka Citizen Cope. The singer-songwriter, who got his start
playing DJ in the exquisitely laidback Washington D.C. hip-hop outfit Basehead,
works hard to smudge the lines that separate genres, throwing together blues,
beats and books in socially-conscious jams like "Bullet and a Target" and
"D'Artagan's Theme." Meshell Ndegeocello helps out on the low-lit love song
"Sideways," while Carlos Santana brings his usual fretboard fireworks to "Son's
Gonna Rise."</span> <br />
<br />
<span style="font-size: large;">Cope melds hip-hop with folk, soul & blues...and he feels this combination
deeply...his uncommon chords & harmonies combine delicate dissonance with
unexpected flashes of beauty." -ROLLING STONE "...Clarence Copeland Greenwood
makes groovy, laid-back & sweetly romantic music that is filled with drama,
love & cosmic questions." -THE WASHINGTON POST </span><br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-iHeG2wS6o54/UUSABjbroII/AAAAAAAAAfg/-KeAjaU8IZQ/s1600/51vvhpZ1HpL__SS500_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://1.bp.blogspot.com/-iHeG2wS6o54/UUSABjbroII/AAAAAAAAAfg/-KeAjaU8IZQ/s320/51vvhpZ1HpL__SS500_.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/4d4O02BJz74?feature=player_embedded' frameborder='0'></iframe></div>
<div style="text-align: center;">
</div>
<div style="text-align: center;">
<a href="http://depositfiles.com/files/56kxenq8t" target="_blank"><span style="font-size: large;">Link here</span></a></div>
Anonymoushttp://www.blogger.com/profile/09664484360943991280noreply@blogger.com0tag:blogger.com,1999:blog-7208039580845395208.post-37308316597765603742013-03-16T15:12:00.001+01:002013-03-16T15:12:25.239+01:00Miles Davis - Kind Of Blue<span style="font-size: large;">This is the one jazz record owned by people who don't listen to jazz, and with
good reason. The band itself is extraordinary (proof of Miles Davis's masterful
casting skills, if not of God's existence), listing </span><span style="font-size: large;">John Coltrane</span><span style="font-size: large;"> and </span><span style="font-size: large;">Julian "Cannonball" Adderley</span><span style="font-size: large;">
on saxophones, </span><span style="font-size: large;">Bill
Evans</span><span style="font-size: large;"> (or, on "Freddie Freeloader," Wynton Kelly) on piano, and the crack
rhythm unit of Paul Chambers on bass and Jimmy Cobb on drums. Coltrane's
astringency on tenor is counterpoised to Adderley's funky self on alto, with
Davis moderating between them as Bill Evans conjures up a still lake of sound on
which they walk. Meanwhile, the rhythm partnership of Cobb and Chambers is
prepared to click off time until eternity. It was the key recording of what
became modal jazz, a music free of the fixed harmonies and forms of pop songs.
In Davis's men's hands it was a weightless music, but one that refused to fade
into the background. In retrospect every note seems perfect, and each piece
moves inexorably towards its destiny</span><br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-XtzmnU9V0H4/UUR9Y_85afI/AAAAAAAAAfY/7C8E0XeWXZk/s1600/51UVX5HKIiL__SS500_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://1.bp.blogspot.com/-XtzmnU9V0H4/UUR9Y_85afI/AAAAAAAAAfY/7C8E0XeWXZk/s320/51UVX5HKIiL__SS500_.jpg" width="320" /></a></div>
<div style="text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
<object width="320" height="266" class="BLOGGER-youtube-video" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" data-thumbnail-src="http://img.youtube.com/vi/ui8x9_WEl1g/0.jpg"><param name="movie" value="http://youtube.googleapis.com/v/ui8x9_WEl1g&source=uds" /><param name="bgcolor" value="#FFFFFF" /><param name="allowFullScreen" value="true" /><embed width="320" height="266" src="http://youtube.googleapis.com/v/ui8x9_WEl1g&source=uds" type="application/x-shockwave-flash" allowfullscreen="true"></embed></object></div>
<div style="text-align: center;">
</div>
<div style="text-align: center;">
<a href="http://www.4shared.com/rar/aQYA0p92/Miles_Davis_Kind_Of_Blue.html?aff=7637829" target="_blank"><span style="font-size: large;">Link here</span></a></div>
Anonymoushttp://www.blogger.com/profile/09664484360943991280noreply@blogger.com0tag:blogger.com,1999:blog-7208039580845395208.post-1477108967839179102013-02-23T10:57:00.003+01:002013-02-23T10:57:37.681+01:00Blitz The Ambassador - Native Sun<h2>
<span style="font-family: Arial;">Native Sun is the follow up to Blitz The Ambassador’s 2009 soulful blend of hip-hop “Stereotype”. Using the jazzy sounds of his previous efforts and taking it one step further, Blitz embraces his African roots and thus we are treated to an expansive mix of hip-hop and afrobeat. Not since Nas and Damien Marley’s classic album “Distant Relatives” has the combination worked quite so well. But it is clear from the opening track “En-Trance” that Blitz is looking to challenge our perception of hip-hop.</span></h2>
<h2>
<span style="font-family: Arial;"><span style="font-family: Arial;">An ancient horn takes centre stage and removes us from our comfort zone. This sound is quickly joined by light African drumming, and we are left wondering how Blitz is going to rap over such traditional production. But we are quickly reminded this is a hip-hop album as the track begins to incorporate vinyl scratching and other more familiar sounds. Lyrically Blitz is taking us on a cinematic journey through his homeland. It’s a burst of creative genius using the medium of positive hip-hop music.</span></span></h2>
<h2>
<span style="font-family: Arial;"><span style="font-family: Arial;"><span style="font-family: Arial;">A real highlight of the LP is “Best I Can” Feat. Corneille. It features haunting guitar strings combined with Blitz rapping at a pace which comes close to a Bizzy Bone or Twista. Lyrically he pours out his heart on this track whilst a distorted choir further enhance his verses. Corneille sings “I hear these voices in my head, I look at the choices that I made, trying to be the best I can”. It is a reflective mantra which encapsulates the mood of the song. The use of gently strum guitars is evident throughout the project, usually accompanied by soft drums. Although you could be forgiven for thinking that this music sounds light, Blitz carries a powerful lyrical style which brings a revolutionary message of unity. Therefore it is anything but.</span></span></span></h2>
<span style="font-family: Arial;"><span style="font-family: Arial;"><span style="font-family: Arial;"><h2 style="text-align: left;">
<span style="font-family: Arial;"><span style="font-family: Arial;">A jazzy interlude serves as a bridge to the second part of the album. “Accra City Blues” is a journey through a war torn city, I would compare it favourably to Marvin Gaye’s “What’s Going On”, it may yet become an African hip-hop anthem for years to come. Certainly it reflects the people better than past attempts by plastic artists such as Akon. Many mainstream attempts at African music often result in tokenism, this is the real deal. The choice of guests on the album is a real strong point. Chuck D. makes a brief appearance on “The Oracle” whilst underground favourite Shad joins Blitz on the title track “Native Sun”. The cohesive nature of the sounds make it impossible to separate their quality. </span></span></h2>
<h2 style="text-align: left;">
<span style="font-family: Arial;">Rather than feeling like a track by track album, it plays more like a melting pot of expermental music which amazingly keeps shape amongst the chaos of African/hip-hop fusion.</span><span style="font-family: Arial;"><span style="font-family: Arial;"> The pieces are emotionally layered in that they are both celebratory and honest in their representation of African life. Proceedings come to a close with “Ex-Itrance”, a continuation of traditional African sounds met with Blitz in spoken word form. At 12 tracks long the project is a neat 44-minutes and yet there is enough music to digest for months. This is progressive hip-hop at it’s finest and an early contender for hip-hop of album of the year. It does what every great album should do and leaves a lasting impression.</span></span></h2>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-srRwM_2kSLY/USiRqV29zgI/AAAAAAAAAe8/Yl-KqSEJcKg/s1600/Blitz+the+ambassador+native+sun.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://4.bp.blogspot.com/-srRwM_2kSLY/USiRqV29zgI/AAAAAAAAAe8/Yl-KqSEJcKg/s320/Blitz+the+ambassador+native+sun.jpg" width="320" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/828XpNDScw4?feature=player_embedded' frameborder='0'></iframe></div>
<h2 class="separator" style="clear: both; text-align: center;">
</h2>
</span><h2 class="separator" style="clear: both; text-align: center;">
</h2>
</span><h2 class="separator" style="clear: both; text-align: center;">
</h2>
</span><h2 class="separator" style="clear: both; text-align: center;">
<a href="http://www63.zippyshare.com/v/5513198/file.html" target="_blank"><span style="font-size: large;">link here</span></a></h2>
Anonymoushttp://www.blogger.com/profile/09664484360943991280noreply@blogger.com0tag:blogger.com,1999:blog-7208039580845395208.post-40000083297169524182013-02-11T18:40:00.000+01:002013-02-11T18:40:13.732+01:00Jose James - No Begining No End<br />
<span style="font-size: large;">New York-via-Minneapolis singer José James was once comfortable being the oddball talent of the contemporary jazz scene, an unknown quantity in a world with plenty of known ones; “When it's all said and done, jazz with a capital J is where I'm coming from,” he told Billboard in 2010. “Dexter Gordon, Billie Holiday, Miles Davis, Charlie Parker, Thelonious Monk-- that's what I really studied when I was a teenager and what really fueled my passion.” While that loyalty manifested itself in releases like 2008’s <i>The Dreamer</i> and 2010’s <i>Blackmagic</i>-- two albums that showcased James’ penchant for genre-stretching while sprinkling in more straightforward covers-- his sound has always been hard to peg.</span><br />
<span style="font-size: large;"> </span><br />
<span style="font-size: large;">For his new record <i>No Beginning No End</i>, he’s staying true to that wanderlust, enlisting musicians like bassist Pino Palladino (who famously helped construct neosoul gems like D’Angelo’s <i>Voodoo</i> as well as Erykah Badu’s <i>Mama’s Gun</i>) and contemporary jazz star Robert Glasper as well as Franco-Moroccan singer Hindi Zahra. While he’s always been one to try stuff out-- he successfully collaborated with Flying Lotus on <i>Blackmagic</i>--on <i>No Beginning No End </i>he finds a way to make an eclectic approach feel unified and whole. </span><br />
<span style="font-size: large;"> </span><br />
<span style="font-size: large;">James sings with a steely grace that does in fact recall D’Angelo, a quality only reinforced by Palladino’s fingerprint on songs like the grooving opener “It’s All Over Your Body” and the back half’s soul clap “Make It Right”. But James’ more detached voice isn’t the weapon that D’Angelo’s proves to be, if you’re looking at <i>No Beginning No End</i> as a spiritual cousin of <i>Voodoo</i> or <i>Mama’s Gun.</i> While James’ record prizes overarching vibe over song-to-song substance, it’s more subdued and, in a sense, more unpredictable: the opener cedes to the hand drum cool-out “Sword + Gun”, which builds to the straightforward pop reach on the record, the taut “Trouble”, which in turn slides into Robert Glasper and James’ capital J jazz tribute “Vanguard”, a tribute to the Greenwich Village institution where the song was devised.</span><br />
<span style="font-size: large;"> </span><br />
<span style="font-size: large;">Though that sounds like a lot of hopping around-- the poppy, percussive midalbum standout “Come to My Door” is another good example-- <i>No Beginning No End</i> works smoothly as a suite, which is a testament to James shape-shifting nature as well as the session musicians' willingness to stay in a support role. While one could see the temptation to push further into a pop crossover sweet-spot, <i>No Beginning No End</i> contains few heavy brush strokes. Though James’ meandering gets the best of him on the slow shuffle “Bird of Space” and the never-quite-gets-there “Untitled” echo “Do You Feel”, even when he misses his low-key restraint retains its charm. </span><br />
<span style="font-size: large;"> </span><br />
<span style="font-size: large;">Though <i>No Beginning No End </i>succeeds in its laid-back approach, make no mistake that James is seeking to bust out of the NPR Jazz world and into the ears of new audiences. In March, he'll play Music Hall of Williamsburg, Bowery Presents' Brooklyn hype thermometer (also playing that month: Sky Ferreira, How to Dress Well, Savages, Django Django), just a 20-minute train ride from the Village Vanguard but a world away. With previous releases, he's earned his heroic acclaim in the tough, tried-and-trusted lanes of contemporary jazz. With <i>No Beginning No End</i>, he's built his own road out.</span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-eTtkMzpGgCc/URksKRUZBgI/AAAAAAAAAeg/hZ4KwoyTHyU/s1600/jose-james-no-begining-no-end-e429cacecae8678d0fccc1e187a56a6090b80779-s6-c10.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="239" src="http://3.bp.blogspot.com/-eTtkMzpGgCc/URksKRUZBgI/AAAAAAAAAeg/hZ4KwoyTHyU/s320/jose-james-no-begining-no-end-e429cacecae8678d0fccc1e187a56a6090b80779-s6-c10.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/5Gz2kqOupCI?feature=player_embedded' frameborder='0'></iframe></div>
<br />
<br />
<div style="text-align: center;">
<a href="http://bitshare.com/files/2nuhbgpf/jo.jam.13.rar.html" target="_blank"><span style="font-size: large;">LINK HERE</span></a></div>
Anonymoushttp://www.blogger.com/profile/09664484360943991280noreply@blogger.com0tag:blogger.com,1999:blog-7208039580845395208.post-16930448694646946122013-01-17T14:41:00.000+01:002013-02-11T18:26:33.597+01:00Parov Stelar - La Fete EP<br />
<h2 class="bodytext" style="letter-spacing: 1px; line-height: 15px; text-align: justify;">
Austrian musician Parov Stelar has taken over the global music scene like a phantom in recent years. Through his music the modest but exceptional talent has not only gained an enormous fan base, but has also achieved cult status as a producer.</h2>
<h2 class="bodytext" style="letter-spacing: 1px; line-height: 15px; text-align: justify;">
His retro- influenced music is borne out of an aura of elegance, wickedness and pure energy. inspired by styles and samples from themost varying of genres (soul, pop, jazz and swing) and combined with modern beats and grooves he creates an incomparable and peerless sound.</h2>
<h2 class="bodytext" style="letter-spacing: 1px; line-height: 15px; text-align: justify;">
For his live shows Parov Stelar takes to the stage with a host of musical magicians. The performances of the Parov Stelar band are one of the most impressive live conversions of electronic music currently to be seen anywhere in the world. Brass and rhythm sections along with singer Cleo Panther reinvent Parov Stelar's electro beats, emotionally charging the public in a way never thought possible.</h2>
<h2 class="bodytext" style="letter-spacing: 1px; line-height: 15px; text-align: justify;">
At the centre of the show is the creator himself, guiding the musical tour de force from the DJ booth. Despite 100's of live shows and excessive touring the band still continues to push their own creativity and break the boundaries of musical performance. Each show is uniquely different from the previous, inviting the listener to explore new aspects and emotions within Parov Stelar's music.</h2>
<span style="font-family: Arial, Helvetica, sans-serif;"></span><br />
<h2>
Etage Noir label-boss Parov Stelar is a master in electro-swing, as he proves yet again on this new three-track EP. "Wanna Fete" is a feast of 30s jazz samples, all wrapped around a tight electro-house beat that's subtle enough not to swamp the jive out of the samples. Same goes with "Diamonds", which keeps brilliantly keeps a heavy ride cymbal rocking that floats over the mix throughout and features some excellent cornet solos along with well-placed scratch breaks. No prizes for guessing the sample source on closer "Le Piaf" - another example of Stelar's skills in fusing that 78" sound with the dynamics needed to rock a modern floor.</h2>
<div style="text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-WJ6rzp1gNJ4/UPf_F5HgByI/AAAAAAAAAeE/X2EgWrxLz5M/s1600/a55a523d8e7904411c24023df5f4c332.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://3.bp.blogspot.com/-WJ6rzp1gNJ4/UPf_F5HgByI/AAAAAAAAAeE/X2EgWrxLz5M/s320/a55a523d8e7904411c24023df5f4c332.jpg" width="320" /></a></div>
<div style="text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/D2Vtnf7rr1Q?feature=player_embedded' frameborder='0'></iframe></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<span style="font-size: large;"><a href="http://rapidgator.net/file/70401767" target="_blank">link here</a></span></div>
Anonymoushttp://www.blogger.com/profile/09664484360943991280noreply@blogger.com0tag:blogger.com,1999:blog-7208039580845395208.post-68796693118829736162013-01-15T14:22:00.001+01:002013-01-15T14:22:39.812+01:00Soundtrack - Lock, Stock & Two Smoking Barrels<span style="font-size: large;">Writer-director Guy Ritchie's street-tough look at London's decrepit underworld
and the unsavory dealings of four best friends whose cockiness is undercut by
some serious trouble features a soundtrack of quick dialogue sound clips, a
smattering of classic rock, pop, and reggae, and a few current submissions as
well. Junior Murvin's "Police and Thieves," known most to rock audiences by the Clash cover, is a great
piece of political resistance and laidback dub groove. James Brown's "The Payback"
and "The Boss" and Iggy and The Stooges "I Wanna Be Your Dog" stake out the sharp end, while the late Dusty Springfield paints
the softer corner with "Spooky." Ocean Colour Scene delivers
the backwards guitar driven "100 Mile High City," and Stretch's "Why Did You Do
It?" is a great recreation of early '70s soul.</span><br />
<table border="0" cellpadding="3" cellspacing="1">
<tbody>
<tr class="listRowEven">
<td><span style="font-size: large;">Tracklist:<br />1. Hundred Mile High City - Ocean Colour Scene </span></td></tr>
<tr class="listRowOdd">
<td><span style="font-size: large;">2. HortifucKinculturist - Steven Mackintosh </span></td></tr>
<tr class="listRowEven">
<td><span style="font-size: large;">3. Police And Thieves - Junior Murvin </span></td></tr>
<tr class="listRowOdd">
<td><span style="font-size: large;">4. Spooky - Dusty Springfield </span></td></tr>
<tr class="listRowEven">
<td><span style="font-size: large;">5. Muppets - P.H. Moriarty/Lenny Mclean/Victor McGuire </span></td></tr>
<tr class="listRowOdd">
<td><span style="font-size: large;">6. The Boss - James Brown </span></td></tr>
<tr class="listRowEven">
<td><span style="font-size: large;">7. Walk This Land - E-Z Rollers </span></td></tr>
<tr class="listRowOdd">
<td><span style="font-size: large;">8. Blaspheming Barry - Lenny Mclean </span></td></tr>
<tr class="listRowEven">
<td><span style="font-size: large;">9. I Wanna Be Your Dog - The Stooges </span></td></tr>
<tr class="listRowOdd">
<td><span style="font-size: large;">10. It's Kosher - Jason Flemyng/Stephen Marcus </span></td></tr>
<tr class="listRowEven">
<td><span style="font-size: large;">11. Why Did You Do It - Stretch </span></td></tr>
<tr class="listRowOdd">
<td><span style="font-size: large;">12. I've Been Shot - Steve Sweeny/Frank Harper </span></td></tr>
<tr class="listRowEven">
<td><span style="font-size: large;">13. Oh Girl - Evil Superstars </span></td></tr>
<tr class="listRowOdd">
<td><span style="font-size: large;">14. Guns 4 Show Knives 4 A Pro - Nick Moran/Dexter Fletcher </span></td></tr>
<tr class="listRowEven">
<td><span style="font-size: large;">15. Zorba The Greek - John Murphy/David Hughes </span></td></tr>
<tr class="listRowOdd">
<td><span style="font-size: large;">16. The Payback - James Brown </span></td></tr>
<tr class="listRowEven">
<td><span style="font-size: large;">17. It's Been Emotional - Vinnie Jones </span></td></tr>
<tr class="listRowOdd">
<td><span style="font-size: large;">18. 18 With A Bullet - Pete Wingfield </span></td></tr>
</tbody></table>
<br />
<span style="font-size: large;"><br /></span>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-RK4FgsYc8wM/UPVWgpzdLmI/AAAAAAAAAdo/LTLvWP7ccvQ/s1600/51rOUi+-FPL__SS500_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://1.bp.blogspot.com/-RK4FgsYc8wM/UPVWgpzdLmI/AAAAAAAAAdo/LTLvWP7ccvQ/s320/51rOUi+-FPL__SS500_.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/tFq6RXSXg9Y?feature=player_embedded' frameborder='0'></iframe></div>
<br />
<div style="text-align: center;">
<a href="http://dfiles.eu/files/opipvr71k" style="font-size: x-large;" target="_blank">link here</a></div>
Anonymoushttp://www.blogger.com/profile/09664484360943991280noreply@blogger.com0tag:blogger.com,1999:blog-7208039580845395208.post-51362429213041029432013-01-12T21:13:00.002+01:002013-01-12T21:13:36.902+01:00Kiko Dinucci & Thiago França - Duas Sessoes<span style="font-size: large;">Kiko Dinucci and Thiago França are two excellent musicians from the new brazilian music scene, in the first hours of 2013 they released the double album "duas sessoes" meaning two sessions, overall the two albuns are great instrumental music that mixes jazz, afrobeat, brazilian music and experimentalism among other music genres.</span><br />
<span style="font-size: large;">Check it out!</span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-UjnXTekn3y4/UPHDWdAmvII/AAAAAAAAAdI/Khflf2fh0bg/s1600/capa-dada+radio+session.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://1.bp.blogspot.com/-UjnXTekn3y4/UPHDWdAmvII/AAAAAAAAAdI/Khflf2fh0bg/s320/capa-dada+radio+session.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-zxwCnUax7o0/UPHDd7QTNbI/AAAAAAAAAdQ/9NYY7q7RF5o/s1600/funfun_sessions-capa.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://4.bp.blogspot.com/-zxwCnUax7o0/UPHDd7QTNbI/AAAAAAAAAdQ/9NYY7q7RF5o/s320/funfun_sessions-capa.jpg" width="299" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/-X3n5vXa2GU?feature=player_embedded' frameborder='0'></iframe></div>
<br />
<div style="text-align: center;">
<a href="http://www.mediafire.com/?cqt6o7jf2zidc1k" style="font-size: x-large;" target="_blank">link here</a></div>
Anonymoushttp://www.blogger.com/profile/09664484360943991280noreply@blogger.com0tag:blogger.com,1999:blog-7208039580845395208.post-32655417623165289232013-01-12T17:59:00.000+01:002013-01-12T19:48:18.517+01:00Oka - Milk & Honey<br />
<div style="background-color: #f6f6ef; color: #666666; font-family: Arial, Helvetica, sans-serif;">
<span style="font-size: large;">With a signature sound and unforgettable live reputation, OKA is still serving their Progressive Roots music. Electrified Digeridoo, heavy slide guitar, soaring flutes and juju rhythms are some of the many ingredients in this Australian sound that’s matured over a decade. Humble beginnings busking on street corners have led to global tripping & independent CD sales in excess of 100 000 albums. Their past is unique and reflects a sun-drenched coastal lifestyle they call home. Here we find them with their 6th studio album ‘Milk & Honey’ that hints to be the most exciting yet. </span></div>
<div style="background-color: #f6f6ef; color: #666666; font-family: Arial, Helvetica, sans-serif;">
<span style="font-size: large;"><br /></span></div>
<div style="background-color: #f6f6ef; color: #666666; font-family: Arial, Helvetica, sans-serif;">
<span style="font-size: large;">Incorporating flavours of Dub, Electronica, Hip-hop, Jazz and many forms of world music, for years people have tried to define the OKA sound. Instead, perhaps look at the line-up - Three characters with varying influences, backgrounds and talents. Stu Boga Fergie (Didgeristu), the big man behind the electronic beats & keys brings raw didgeridoo & vocals inspired by his aboriginal heritage. Chris lane plays captivating melody on Slide Guitar, Harmonica & Woodwinds including Bamboo Flute and Sax. Making up the trio is Samoan-Australian Charlie Zappa – a rhythm specialist with beats of Polynesian fire and deep pocket. Together they blend many pieces that is the OKA puzzle - A sound & force that touches the heart & feeds the soul. </span></div>
<div style="background-color: #f6f6ef; color: #666666; font-family: Arial, Helvetica, sans-serif;">
<span style="font-size: large;"><br /></span></div>
<div style="background-color: #f6f6ef; color: #666666; font-family: Arial, Helvetica, sans-serif;">
<span style="font-size: large;">‘Milk & Honey’ brings a fresh and exciting addition to the OKA catalogue. It was created from on-stage jamming & relaxed sessions at their home Coolum beach on the Sunshine Coast. While keeping true to their indigenous roots the 14 track journey touches on new territory with vocal tracks & a soup of synth tones & beats not straying too far from the classic OKA feel.</span></div>
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-HfAJ5kb90yI/UPGVisvLHhI/AAAAAAAAAcw/bUEvu8wJGbg/s1600/oka-photo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://1.bp.blogspot.com/-HfAJ5kb90yI/UPGVisvLHhI/AAAAAAAAAcw/bUEvu8wJGbg/s320/oka-photo.jpg" width="320" /></a></div>
<div style="text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/MR2GmO7vSxw?feature=player_embedded' frameborder='0'></iframe></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<a href="http://www.crocko.com/7B2EE09BD7944BC99DC31C077E643D5E/OKA_-_Milk_amp_Honey__282011_29__5BMP3_5D_CR_3937951.rar" style="font-size: x-large;" target="_blank">link here</a></div>
Anonymoushttp://www.blogger.com/profile/09664484360943991280noreply@blogger.com0tag:blogger.com,1999:blog-7208039580845395208.post-69336155297561598462013-01-12T17:33:00.000+01:002013-01-12T17:33:23.070+01:00The Strides - Reclamation<br />
<div style="background-color: white; color: #333333; font-family: Interstate, 'Lucida Grande', Arial, sans-serif; line-height: 22px; margin-bottom: 10px;">
<span style="font-size: large;">With their explosive melting pot of Afrobeat, Reggae, Hip-Hop and Dancefloor jazz, 10-piece ensemble THE STRIDES has already won over a steadfast following in Australia. After a lengthy series of gigs that includes supporting afrobeat legend Tony Allen and becoming a headline act at both the Bellingen Global Carnival and Peats Ridge Festival, this dynamic outfit is ready to launch its new album “Reclamation” on Record Kicks. With a heavy rhythm section and a powerful 3-piece horn section, The Strides deliver a captivating blend of funky afrobeat, roots reggae, hip hop grooves, dubbed out beats, and hypnotic rhythms.</span></div>
<div style="background-color: white; color: #333333; font-family: Interstate, 'Lucida Grande', Arial, sans-serif; line-height: 22px; margin-bottom: 10px;">
<span style="font-size: large;">Featuring vocals by reggae master Ras Roni from Trinidad via London and rising hip hop star from Fiji MC Lil Gzeus (Little Jesus) over the super skanky, infectious, horn-heavy grooves of the band, “Reclamation” perfectly showcases the mighty force of The Strides’ innovative sound. From afrobeat-infused instrumental romps such as “Umbi Gumbi” and “Well Hung Parliament” to hip hop stormers such as first single “Reclamation”, to hints of roots reggae on "Storm Cloud" and "Fresh Lady", Australia's best kept secret The Strides impressively mix and combine a series of genres, and the result is something special, indeed!</span></div>
<div style="background-color: white; color: #333333; font-family: Interstate, 'Lucida Grande', Arial, sans-serif; line-height: 22px; margin-bottom: 10px; margin-top: 10px;">
<span style="font-size: large;">”Boasting 10 fired-up members and wasting no time in following up their impressive self-titled debut, Sydney's The Strides return with frisk in their gait for eight new tunes straddling dub to Afrobeat, hip-hop to exotic jazz.” – The Sydney Morning Herald</span></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-6zyFgVqX35M/UPGPfVXDfrI/AAAAAAAAAcY/0QRbJOnQYZw/s1600/Neu_01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://3.bp.blogspot.com/-6zyFgVqX35M/UPGPfVXDfrI/AAAAAAAAAcY/0QRbJOnQYZw/s320/Neu_01.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/mXz6psN8fgg?feature=player_embedded' frameborder='0'></iframe></div>
<br />
<div style="text-align: center;">
<span style="font-size: large;"><a href="http://www.mediafire.com/?17zr6b7gac318ud" target="_blank">link here</a></span></div>
Anonymoushttp://www.blogger.com/profile/09664484360943991280noreply@blogger.com0tag:blogger.com,1999:blog-7208039580845395208.post-34398648363796396032013-01-11T23:53:00.001+01:002013-01-11T23:55:13.004+01:00Cody Chesnutt - Landing One A Hundred<span style="font-family: verdana, arial, helvetica, sans-serif;"><span style="background-color: white; font-size: large;">Universally hailed as a thrilling new figure in music for his edgy, lo-fi debut, The Headphone Masterpiece, back in 2002, Cody ChesnuTT is a soul troubadour whose frank, socially conscious ruminations on life continue to challenge popular notions of what modern soul music can look and sound like. Landing On A Hundred, Cody’s second full-length LP, marks his return to the music game after a period of family-man retreat and reflection that did a world of good for him after his meteoric rise to near fame. The title is a reference to the slang saying, “Keeping It One Hundred,” or telling the whole truth, and for lovers of true blue Southern soul this new album is a must-have- the rhythm tracks recorded with a ten-piece band in Memphis-based Royal Studios, the sonic birthplace of some of the deepest works by soul and blues luminaries like Al Green, Buddy Guy and Ike & Tina Turner. Topics on Landing On A Hundred cover lots of grown-folks business: a man’s road to redemption after years of womanizing and crack addiction, the power and labour of slow-burning marital love that eclipses mere material expressions of affection. Keeping it truthful is ultimately what matters most in Cody’s songs.</span></span><br />
<br />
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-c9z7Ykd0sTk/UPCWzfjGyyI/AAAAAAAAAcA/bj-DdVURueQ/s1600/Cody-Chesnutt-Landing-On-A-Hundred-608x608.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://4.bp.blogspot.com/-c9z7Ykd0sTk/UPCWzfjGyyI/AAAAAAAAAcA/bj-DdVURueQ/s320/Cody-Chesnutt-Landing-On-A-Hundred-608x608.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<object class="BLOGGER-youtube-video" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" data-thumbnail-src="http://2.gvt0.com/vi/fjisiV_A42I/0.jpg" height="266" width="320"><param name="movie" value="http://www.youtube.com/v/fjisiV_A42I&fs=1&source=uds" /><param name="bgcolor" value="#FFFFFF" /><param name="allowFullScreen" value="true" /><embed width="320" height="266" src="http://www.youtube.com/v/fjisiV_A42I&fs=1&source=uds" type="application/x-shockwave-flash" allowfullscreen="true"></embed></object></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<span style="font-size: large;"><a href="http://rapidgator.net/file/69082539" target="_blank">link here</a></span></div>
Anonymoushttp://www.blogger.com/profile/09664484360943991280noreply@blogger.com0