The techno style of ‘Razor’ is probably the biggest change of pace on the record in terms of the band’s sound – presenting the listener with an unrelenting and rather intimidating beat that insists and insists throughout its eight-minute duration, it’s the mark of producer John Faiumu daring to push the band’s sound to unfamiliar territories. And, as such, it’s a little discomforting – following track ‘Makkan’s chilled, shuffling style is a welcome antidote to the strange and unusual trip that the previous song takes you on; a sensation that’s returned to when the similarly techno-focused ‘Cortina Motors’ kicks into life towards the end of the album.
The centrepiece of this intriguing record, however, is ‘Fish in the Sea’. The second longest track here, Joe Dukie’s Dr. Seuss-leaning lyrics about life’s struggles (“my wife needs a wish from the magic fish”) are enough of a draw to permit his band’s instrumentation to gradually build unnoticed around it, and, whilst it doesn’t explode into any kind of epic crescendo, it’s still the most delightful, smile-inducing moment on the record. You get the feeling that, when performed live, this and many of the songs on Bays could go anywhere – they all serve as a blueprint for the live arena, where FFD really do excel in letting their songs come into their own.
By Sam Moore