Alexander effectively and infectiously fuses jazz and reggae into a cohesive sound that may portend the future of one-world music without boundaries or labels.
Monday, 22 October 2012
Monty Alexander - Stir It Up The Music Of Bob Marley
The Jamaican-born pianist Monty Alexander has worked with musicians such as Milt Jackson, Dizzy Gillespie, and Sonny Rollins, but over the
years he has always managed to wed North American improvisation to reggae and
Jamaican folk rhythms. This CD is a happy hybrid of all of the above. Alexander
weaves his American rhythm section consisting of drummer Troy Davis, bassist
Hassan Shakur, and guitarist Derrick Di Cenzo with the five-man Jamaican
ensemble Gumption--who back up dancehall stars like Buju Banton: drummer Rolando
Alphonso, guitarist Robert Angus, keyboardist Dwight Dawes, bassist Glen
Brownie, and percussionist Desy Jones. The result: Imagine the Nat King Cole Trio sitting
in with the Wailers and
you'll get the CD's boppish island-breezed vibe. Alexander and crew stick to
Marley's melodic, harmonic, and rhythmic structures. Spliff anthem "Jamming,"
title tune "Kaya," and "Could You Be Loved" can rock any sports utility vehicle
or summer festival, while "Heathen" rings with Alexander's raindrop chords,
piercing melodica, and ethereal tonal shadings. The ska-guitar scratches drive
"Is This Love?" and Alexander's gospelish pianisms echo Marley's loving laments
on "No Woman No Cry." Steve
Turre makes a guest appearance and his splendid seashell sound heralds "I
Shot the Sheriff." Alexander's plaintive composition "Nesta"--Marley's middle
name--is spiced by Jones's Rastafarian nyabinghi conga rhythms and
completes this jazzy "jump up" carnival.
Alexander effectively and infectiously fuses jazz and reggae into a cohesive sound that may portend the future of one-world music without boundaries or labels.
Alexander effectively and infectiously fuses jazz and reggae into a cohesive sound that may portend the future of one-world music without boundaries or labels.
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